The six artists at Screaming Aces Tattoo spend much of their time together – planning canoe trips, taking vacations and even cooking holiday dinners. To them, the shop is family.
“There’s nothing I wouldn’t do for them,” says Corey Bailey, 29, with a smile. “There’s nothing they wouldn’t do for me. We just got each other’s backs. We’re family. No one leaves without saying, ‘love ya’ll. Be safe.’”
In the nine years since the shop opened, the bond employees feel with one another has turned Screaming Aces into a thriving business along Main Street. The increased business, though, has not altered the atmosphere of a home, with artists popping in on one another to say hello, check in or look at the work being done. These interactions motivate everyone at the shop, says artist Robbie Dufresne, 40. “We are always trying to learn from each other to do better.”
This bond stretches beyond colleague camaraderie: customers are treated with the same love and respect. “For us, our clients are our family, too,” says Corey.
The informal atmosphere can put off some people, Corey admits. “I don’t want to say it’s unprofessional, but it feels more like you went over to somebody’s Thanksgiving dinner to get a tattoo.”
For artist Aimee Smith, 35, the familial environment in the shop is what she loves about her job. Aimee, a mother of three, spends a lot of time in the shop. She also lives in the apartment above the business. If it weren’t for the love she feels for the other artists at the shop, Smith says, she would feel differently about how much she works.
“One of things I love about this job, I can actually spend time with my kids while I’m working,” Aimee says. “I don’t have to worry about missing them grow up. Not only that, but my kids have become a part of all the guys’ lives, too.”
The welcoming environment has made the shop a meeting place for young people in town, cementing Screaming Aces’ position as a fixture in Mt. Sterling. “To go from where I started nine years ago to where we are now,” says Corey, “it’s like, ‘How did we make it?’ ‘When did it happen?’”